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Wednesday, December 30, 2020

December 30, 2020

46th Metro Manila Film Festival Honors Peque Gallaga

 46th Metro Manila Film Festival Honors Peque Gallaga


At the Metro Manila Film Festival Gabi ng Parangal last December 27, 2020, Peque Gallaga was posthumously accorded the Special Jury Award. Together with former Negros Occ. Representative Albee Benitez, president of Brightlight Productions, Rey Bantug, president of Aton Land & Leisure, and Lore Reyes, the late Peque Gallaga was Executive Producer of the movie Magikland, before his passing on May 7, 2020.

Magikland, a film by Christian Acuña, was one of 10 entries at the 46th MMFF. The landmark action-adventure movie, inspired by Negros folklore, went away with the FPJ Memorial Award, and the MMFF Awards for Best Visual Effects, Production Design, Musical Score, and Virtual Float.

On Dec. 29, Madie Gallaga, widow of Peque Gallaga, issued a statement thanking the MMFF organization for the honor, and the people with whom her husband collaborated in creating Magikland.

The Negros Season of Culture pays tribute to Peque Gallaga in its maiden year. During its launching last Nov. 5, NSC founder Angelica Berrie said, “We will honor Peque Gallaga for inspiring so many of us to be a part of something bigger than ourselves, for teaching us to express our creativity in big bold ways that contribute to the story of this place we call home.”

Berrie joins the entire team of the Negros Season of Culture in congratulating the men and women of Magikland the movie, and in celebrating the legacy of Peque Gallaga.

Sunday, December 20, 2020

December 20, 2020

Magikland: A Negros folklore inspired movie

Magikland: A Negros folklore inspired movie



In its launch year, Negros Season of Culture pays tribute to film maker Peque Gallaga, Executive Producer of Magikland the movie. Negros Season of Culture proudly endorses Magikland as an entry in the 2020 Metro Manila Film Festival.



The fantasy adventure film Magikland, which  is rooted in age-old Negros myths,  is one of the 10 official entries to  this year’s  Metro Manila Film Festival that  will be streamed online beginning December 25.

The names of the main characters of the movie, Boy Bakunawa, Mara Marapara, Pat Patag and Kit Kanlaon,  also  pay tribute to the Negros landscape.

The  Brightlight Productions film  is directed by Christian Acuña with  former Negros Occidental representative Alfredo Abelardo “Albee“ Benitez,  Aton Land and Leisure Inc. president Rey Bantug,  Negrense director Peque Gallaga and Lore Reyes as executive producers.

Gallaga,  a multi-awarded Filipino film-maker who passed away on May 7, 2020, had said that the theme park in Silay City, Negros Occidental, of the same name,   was the inspiration for the film.
             



The Magikland park, themed after the ancient  legend of the Bakunawa,  features the characters in the film that Gallaga conceptualized.
 
Benitez, founder and owner of Brightlight Productions, said Gallaga was their  first choice and it took awhile to convince him to make Magikland, the movie,  because he was on  a semi-retirement mode already. “So when he said yes to making the film I left everything to him,”  Benitez said. Benitez  said he left it to Gallaga to  decide  the story, the cast as well as the filming of this movie.

“Undoubtedly  Direct Peque is one of the pillars of the film industry in the country…You know that he has the stature because he commands a certain respect  from  other players in the industry,” Benitez said.

Benitez added that Gallaga had “the expertise  in shooting scenes, the production set, the costumes,  everything just fell into place as if it was second nature”.

 They are hoping Magikland created by Negrenses, since he and Gallaga come from Negros,  will become a legacy film, he added.

The Negros Season of Culture in November  honored  Gallaga for teaching Negrenses to express their  “creativity in big bold ways that contribute to the story of this place we call home”.

Negros has a very bright culture that is worth sharing with the world, and is something that we should be proud of,  Benitez said.

Benitez said he will continue to promote Negrense culture that is also key to developing tourism.
Producing more films, or creating more  interaction to promote Negros culture is definitely part of his future plans, Benitez said.

Maybe now that Brightlight Productions is into television,  a series  on Negros folklore  can also  be discussed, he added.

Negrenses are very artistic, they have a lot of  talent and are very creative, which is worth showcasing to the world, he said.

Benitez said Magikland is probably the first Filipino film that is heavy  on computer graphics compared to any other  film ever made in the Philippines.

Ninety-five percent  of the shots for the film  were meticulously created with state-of-the-art visual effects that took almost two years to complete.

More than 2,000 scenes in the movie have  computer graphics in them, something one usually sees in Hollywood films, produced by purely Filipino talents,  Benitez he said.

Filipino films don’t  usually have this much computer graphics because  of the cost of technology and  the time you need to develop it, he explained.

Magikland was initially targeted to cost less than P100 million but they exceeded the budget, Benitez said.

Making money was secondary, it was more about producing a film that would  highlight the talent of Filipinos, particularly Negrenses, and hopefully the people will like it, he said.

It is a family oriented movie with very nice computer animation, it will be good to watch, Benitez said.
Magikland, the movie, will be available  at  www.upstream.ph/mmff starting December 25 and will be in theaters in January, he said.*

TEXT BY CARLA P. GOMEZ


How to get your ticket for Magikland movie. Follow these steps:
1. Go to upstream.ph/mmff to view the available entry films. Click "Reserve Now" below Magikland.
2. Click "Pay" to buy your ticket via the ticketing site GMovies.ph.
3. Click "Create an Account" if you don't have an account on GMovies.ph yet. It's FREE!
4. On December 25, you may now access and watch your chosen film at "My Shows" in your GMovies account.

Saturday, November 21, 2020

November 21, 2020

Snapshots of a Bazaar in the New Normal

Snapshots of a Bazaar in the New Normal







May we go out again?
Yes, you may, but only with awareness, responsibility, and precaution.



 

Ronnie Baldonado is a “photo storyteller”. He snaps his camera not
necessarily for news, but for sure to tell a story without the use of words. Lately, he was seen taking great shots at the Food for the Soul Bazaar.

Set up on the sprawling lawn of Casa A. Gamboa in Silay City, Negros Occidental, the bazaar was held last November 20 and 21. For many in the tourism industry who are in hibernation mode, news of the bazaar was like floating a trial balloon. It helped that the province’s quarantine status is at a moderately low level, or MGCQ. But organizer Reena Gamboa didn’t leave things to chance. She requested the city’s Covid action team to help keep watch against behaviors that do not follow safety and health protocols.



 

 And so, only with awareness of the risks that continue to lurk, with responsibility towards the community’s health, and with precaution so every vendor and customer is compelled to behave correctly, we can begin to plan to step out again. Perhaps, the Department of Tourism should institute a new accreditation status beyond the usual stars.  Maybe now the public will be better served if we know that a hotel, resort, restaurant, or events venue like Casa A. Gamboa is “A Responsible Place”.

Here now, through the lens of Ronnie Baldonado, we take a peek into inching forward to the new normal.

 

 

 

 

 

 

 



Ronnie Baldonado



Credits:
Photographs courtesy of Ronnie J. Baldonado. Text by Alan S. Gensoli.

Wednesday, November 18, 2020

November 18, 2020

Art is My Constant

Art is My Constant

I painted watercolor “thank you” cards for medical front liners who were risking their lives at the height of the pandemic.”



By Gigi Campos

As a young wife and mother transported to Negros from Manila in the early 70s, I easily fell in love with Negros—the landscape, the people, the arts and crafts, and definitely the food. Having taken some courses in interior design at the New York School of Interior Design, I partnered with a sister-in-law and opened a home furnishing store and interior design office in Bacolod. 

In the mid-80s a monumental crisis hit Negros that caused the collapse of the sugar industry. I soon found myself involved with different NGOs. With a small group of like-minded friends, we decided to spearhead livelihood projects for displaced sugar workers in Negros. Not long after, the Association of Negros Producers was formed and I became its founding president. The ANP’s mission was to provide an alternative source of income for the farm workers by promoting Negrense heritage and crafts.  

I also set up Reeds and Weeds, a company that manufactured products made from indigenous materials. I started to train and organize communities of weavers throughout the province.  

Then I fell in love with the mosaic art of Antoni Gaudi. On a visit to Barcelona I saw his radical approach to mosaic that mixed traditional square cut tesserae with irregularly shaped pieces, from broken ceramic tiles to stained glass, to other found objects. I was challenged. I told myself, I can do this! 

Upon our return home, I lost no time and started my first mosaic installation, a 4x8-ft high mosaic image of the sun for Solana, our vacation home in Sipalay, a city in the south of Negros Occidental. I was hooked. Many more mosaic installations followed in Solana—mosaic stairs, benches, tables, and garden decor.

I found fulfillment in sharing my passion for mosaic art. I wanted the community to recognize mosaic as an art form that can be pursued by anyone with the desire and passion for art. NVC Artisans of Hope is one of the beneficiaries of my workshops. Its founder, Millie Kilayko, was one of my students. Another is Lisa de Leon-Zayco who has already had several exhibits of her mosaic work in Manila and in Bacolod.

My most meaningful mosaic workshop came in 2019. I conducted it for the children of Kalipay Negrense Foundation. I was witness to the powerful impact of art and self-expression on the children, most of whom had experienced severe trauma in their young lives. 


And then my own trauma happened.

It was a diagnosis of breast cancer that shook my world. It came like a death sentence as I always prayed to God to spare me of this dreaded disease. I was fearful of the physical pain that came with it. I guess God sometimes leads us through a dark tunnel for us to appreciate the light that awaits us on the other side. 

At the onset, I struggled with the prospect of undergoing chemotherapy. I prayed for guidance. And in the end God spoke to me through the words of a priest in a homily about the lepers Jesus healed, when he said, “healing comes after obedience.” I was surprised when the priest turned to my direction and seemed to look straight at me and said, “obey your doctors and you will be healed.”

It has been a year since I was diagnosed with breast cancer. I’ve been through much, physically and emotionally. I am not yet at the finish line, but Philippians 4:11-14 says, “I have learned to be content with whatever I have. I know how to live on almost nothing, or with everything. I have learned the secret of living in every situation…with plenty or with little. For I can do all things through Christ who strengthens me.”

Through the pains and discomfort of my body, my mind kept telling me I could get through the depression, anxiety, and even cancer by doing something creative that could benefit others. I painted watercolor “thank you” cards for medical front liners who were risking their lives at the height of the pandemic. NVC, who led the project, tucked the cards among donated PPEs.

It was in my quiet moments that I discovered the magic of what life is all about. I discovered a special love for God’s creation—the beautiful blue skies, brilliant sunsets, and all the different birds and flowers in the garden. In my pain God gave me the passion to pick up my brushes and paint once again, to work with my hands and discover new crafts, and to put into words all the wonder and discovery I was experiencing. 

My art has followed the different aspects of my reality. One of these is my deep and lifelong relationships with the women in my life, relationships that have remained strong—my mother, my sisters, my daughters, and friends.

Another aspect is my faith that has inspired me to create various mosaics of the cross, entire Stations of the Cross, and images of Mary, Mother of God. My faith allowed me to travel the difficult road to healing. Ironic as it may sound, cancer gave me a renewed passion for life. It gave me the heart of a fighter, thriver, survivor.



Thursday, November 5, 2020

Wednesday, November 4, 2020

November 04, 2020

The Negros Season of Culture

The Negros Season of Culture
The Negros Season of Culture is a celebration of Negrense cultural traditions as expressed in various art forms. In 2020, it will include visual arts, culinary arts, film, and theatre.
 
Spearheaded by the Angelica Berrie Foundation, the Negros Season of Culture aims to bring Negrense arts and culture to the consciousness of the local community, and then share it with the rest of the world. Hence, the celebration’s tagline, “Rooted. Taking on the world.”
 
The vision of the Negros Season of Culture is to promote the cultural assets of our heritage and traditions, the unique identity of this province and the talent of its people.

We conceived of threading stories of creativity into one regional narrative, creating a platform for local, national, and global audiences to discover what makes Negros special.

The Negros Season of Culture is a messaging platform for a place-based brand of culture rooted in identity, speaking to the world in the universal language of Art and Culture, featuring creative innovators in unique settings that tell our story, beautiful rural landscapes and heritage homes that deserve to be preserved. 


There are many hidden gems in this province and we hope to bring them to life through the Negros Season of Culture. Connecting the
stories embedded in this place is the message of hope we want to ignite in this challenging time.

We hope everyone will join us to promote what we love about our identity, our culture and our home.
 
 



 


Catch the vision of the Negros Season of Culture!