November 2020 - Testing

Saturday, November 21, 2020

November 21, 2020

Snapshots of a Bazaar in the New Normal

Snapshots of a Bazaar in the New Normal







May we go out again?
Yes, you may, but only with awareness, responsibility, and precaution.



 

Ronnie Baldonado is a “photo storyteller”. He snaps his camera not
necessarily for news, but for sure to tell a story without the use of words. Lately, he was seen taking great shots at the Food for the Soul Bazaar.

Set up on the sprawling lawn of Casa A. Gamboa in Silay City, Negros Occidental, the bazaar was held last November 20 and 21. For many in the tourism industry who are in hibernation mode, news of the bazaar was like floating a trial balloon. It helped that the province’s quarantine status is at a moderately low level, or MGCQ. But organizer Reena Gamboa didn’t leave things to chance. She requested the city’s Covid action team to help keep watch against behaviors that do not follow safety and health protocols.



 

 And so, only with awareness of the risks that continue to lurk, with responsibility towards the community’s health, and with precaution so every vendor and customer is compelled to behave correctly, we can begin to plan to step out again. Perhaps, the Department of Tourism should institute a new accreditation status beyond the usual stars.  Maybe now the public will be better served if we know that a hotel, resort, restaurant, or events venue like Casa A. Gamboa is “A Responsible Place”.

Here now, through the lens of Ronnie Baldonado, we take a peek into inching forward to the new normal.

 

 

 

 

 

 

 



Ronnie Baldonado



Credits:
Photographs courtesy of Ronnie J. Baldonado. Text by Alan S. Gensoli.

Wednesday, November 18, 2020

November 18, 2020

Art is My Constant

Art is My Constant

I painted watercolor “thank you” cards for medical front liners who were risking their lives at the height of the pandemic.”



By Gigi Campos

As a young wife and mother transported to Negros from Manila in the early 70s, I easily fell in love with Negros—the landscape, the people, the arts and crafts, and definitely the food. Having taken some courses in interior design at the New York School of Interior Design, I partnered with a sister-in-law and opened a home furnishing store and interior design office in Bacolod. 

In the mid-80s a monumental crisis hit Negros that caused the collapse of the sugar industry. I soon found myself involved with different NGOs. With a small group of like-minded friends, we decided to spearhead livelihood projects for displaced sugar workers in Negros. Not long after, the Association of Negros Producers was formed and I became its founding president. The ANP’s mission was to provide an alternative source of income for the farm workers by promoting Negrense heritage and crafts.  

I also set up Reeds and Weeds, a company that manufactured products made from indigenous materials. I started to train and organize communities of weavers throughout the province.  

Then I fell in love with the mosaic art of Antoni Gaudi. On a visit to Barcelona I saw his radical approach to mosaic that mixed traditional square cut tesserae with irregularly shaped pieces, from broken ceramic tiles to stained glass, to other found objects. I was challenged. I told myself, I can do this! 

Upon our return home, I lost no time and started my first mosaic installation, a 4x8-ft high mosaic image of the sun for Solana, our vacation home in Sipalay, a city in the south of Negros Occidental. I was hooked. Many more mosaic installations followed in Solana—mosaic stairs, benches, tables, and garden decor.

I found fulfillment in sharing my passion for mosaic art. I wanted the community to recognize mosaic as an art form that can be pursued by anyone with the desire and passion for art. NVC Artisans of Hope is one of the beneficiaries of my workshops. Its founder, Millie Kilayko, was one of my students. Another is Lisa de Leon-Zayco who has already had several exhibits of her mosaic work in Manila and in Bacolod.

My most meaningful mosaic workshop came in 2019. I conducted it for the children of Kalipay Negrense Foundation. I was witness to the powerful impact of art and self-expression on the children, most of whom had experienced severe trauma in their young lives. 


And then my own trauma happened.

It was a diagnosis of breast cancer that shook my world. It came like a death sentence as I always prayed to God to spare me of this dreaded disease. I was fearful of the physical pain that came with it. I guess God sometimes leads us through a dark tunnel for us to appreciate the light that awaits us on the other side. 

At the onset, I struggled with the prospect of undergoing chemotherapy. I prayed for guidance. And in the end God spoke to me through the words of a priest in a homily about the lepers Jesus healed, when he said, “healing comes after obedience.” I was surprised when the priest turned to my direction and seemed to look straight at me and said, “obey your doctors and you will be healed.”

It has been a year since I was diagnosed with breast cancer. I’ve been through much, physically and emotionally. I am not yet at the finish line, but Philippians 4:11-14 says, “I have learned to be content with whatever I have. I know how to live on almost nothing, or with everything. I have learned the secret of living in every situation…with plenty or with little. For I can do all things through Christ who strengthens me.”

Through the pains and discomfort of my body, my mind kept telling me I could get through the depression, anxiety, and even cancer by doing something creative that could benefit others. I painted watercolor “thank you” cards for medical front liners who were risking their lives at the height of the pandemic. NVC, who led the project, tucked the cards among donated PPEs.

It was in my quiet moments that I discovered the magic of what life is all about. I discovered a special love for God’s creation—the beautiful blue skies, brilliant sunsets, and all the different birds and flowers in the garden. In my pain God gave me the passion to pick up my brushes and paint once again, to work with my hands and discover new crafts, and to put into words all the wonder and discovery I was experiencing. 

My art has followed the different aspects of my reality. One of these is my deep and lifelong relationships with the women in my life, relationships that have remained strong—my mother, my sisters, my daughters, and friends.

Another aspect is my faith that has inspired me to create various mosaics of the cross, entire Stations of the Cross, and images of Mary, Mother of God. My faith allowed me to travel the difficult road to healing. Ironic as it may sound, cancer gave me a renewed passion for life. It gave me the heart of a fighter, thriver, survivor.



Thursday, November 5, 2020

Wednesday, November 4, 2020

November 04, 2020

The Negros Season of Culture

The Negros Season of Culture
The Negros Season of Culture is a celebration of Negrense cultural traditions as expressed in various art forms. In 2020, it will include visual arts, culinary arts, film, and theatre.
 
Spearheaded by the Angelica Berrie Foundation, the Negros Season of Culture aims to bring Negrense arts and culture to the consciousness of the local community, and then share it with the rest of the world. Hence, the celebration’s tagline, “Rooted. Taking on the world.”
 
The vision of the Negros Season of Culture is to promote the cultural assets of our heritage and traditions, the unique identity of this province and the talent of its people.

We conceived of threading stories of creativity into one regional narrative, creating a platform for local, national, and global audiences to discover what makes Negros special.

The Negros Season of Culture is a messaging platform for a place-based brand of culture rooted in identity, speaking to the world in the universal language of Art and Culture, featuring creative innovators in unique settings that tell our story, beautiful rural landscapes and heritage homes that deserve to be preserved. 


There are many hidden gems in this province and we hope to bring them to life through the Negros Season of Culture. Connecting the
stories embedded in this place is the message of hope we want to ignite in this challenging time.

We hope everyone will join us to promote what we love about our identity, our culture and our home.
 
 



 


Catch the vision of the Negros Season of Culture!









November 04, 2020

Welcome to the Negros Season of Culture Website!

Welcome to the Negros Season of Culture Website!

 Welcome to the Negros Season of Culture Website!



The stories of our land are told in its changing seasons, the time when the future embraces the past. The video presents “Negros Season of Culture” as a digital cultural platform where we can virtually experience traditions and at the same time nurture ideas on how we can move Negros forward in the global community.

From the arts and cuisine, to our crafts and architecture, this is an online space where we take pride in our roots and secure our place in the world. Negros Season of Culture. It’s not just an online destination, it’s a celebration!



Director: Paolo Lindaya
Writer: Michelle Rivera
Production Manager: John Gilbert Arceo
Technical Director: Dominic Lindaya
Art Director: Rodolfo Paclibar Jr.
Props Master: Jack Trino
Food Stylist: Eugene Montealto
Wardrobe Master: Gkie Erebraren
Hair & Make Up: Carlos Durana
A Production of the ANGELICA BERRIE FOUNDATION
November 04, 2020

Negros Occidental Governor Eugenio Jose Lacson congratulates the Negros Season of Culture

Negros Occidental Governor Eugenio Jose Lacson congratulates the Negros Season of Culture
November 04, 2020

Joel Torre invites you to be part of The Negros Season of Culture

Joel Torre invites you to be part of The Negros Season of Culture
November 04, 2020

A Tribute to Peque Gallaga

A Tribute to Peque Gallaga

The island of Negros always had a special place in the life, work, and art of Peque Gallaga. It was inspiration, refuge, and home, shaping his view of the world and his place in it. We pay tribute to him as we dedicate the first year of Negros Season of Culture to his memory. 



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The Peque Gallaga Tribute

Produced by: The Angelica Berrie Foundation
for the Negros Season of Culture

Baba Torre
President- Angelica Berrie Foundation

Alan Gensoli
Creative Director

Mayee Fabregas
Production Director

Stephanie Hilado-Lindaya
Communications Director

Executive Producer
Jo Macasa

Writer
Vicente Garcia Groyon

Editor
Sheryll Lopez-Francia

Music
Emerzon Texon

Colorist
Richard Francia

Narrator
Jubal Gallaga

Tuesday, November 3, 2020

November 03, 2020

Guardians of History

Guardians of History

by Neil Solomon L. Locsin


The Negros Occidental Historical Council (NOHC) was founded by then Gov. Alfredo L. Montelibano Jr. (Provincial Board Res. 33) on January 15, 1971. Aurelio Locsin was its first chairman. It's one of the oldest historical councils in the country. Its primary mandate is to promote and nurture the value of history, culture and heritage in the province of Negros Occidental.




The NOHC has been assisting academic researchers and persons interested in the past stories of the province. Its office in the north wing of the Provincial Capitol houses research material and a modest archive. The NOHC also conducts outreach programs geared for awareness of history amongst the youth and educators.




On November 5, 2018, on the 120th Anniversary of the Cinco de Noviembre Revolution, the Board of Directors of the Negros Occidental Historical Council was awarded "Outstanding Negrenses (in the field of History and Culture) by the late Gov. Alfredo Marañon Jr.




Facebook page: Negros Occidental Heritage Council
link: https://www.facebook.com/Negros-Occidental-Historical-Council-110348934109497

Monday, November 2, 2020

November 02, 2020

Housing our Heritage

Housing our Heritage

 

The Silay Heritage Facebook page is personally managed by Solo Locsin, a trustee of the Heritage Conservation Society (HCS), Director of the Negros Occidental Historical Council and former Councilor of Silay.

Its diverse content is a collection of histories and narratives of everything Silay put together by Solo and his friends. He amusingly describes the page as his “CASH” – Culture, Arts, Style and Heritage.

Facebook page: https://www.facebook.com/silaycityph


Sunday, November 1, 2020

November 01, 2020

Negros Season of Culture SPECIAL : Not an Angry Christ

Negros Season of Culture SPECIAL : Not an Angry Christ

In this video, Tats Manahan talks about the work of Alfonso Ossorio, in "Not an Angry Christ".



“Not an Angry Christ,’ a documentary re-visits the significance, symbolism and interpretation of the mural of Alfonso Ossorio, located in the Victorias Milling Corp.compound in Negros Occidental. The artist, son of VMC founder, Don Miguel Ossorio, was one of theearly artists of New York’s abstract expressionist movement, the art genre that moved the art capital of the world from Paris to New York.

The 160 square meter altar piece whose real title is “The Last Judgement,” at the Chapel of St. Joseph the Worker is popularly known as “The Angry Christ” because of the seemingly fierce countenance of the floor-to-ceiling Christ image. Further research during the on-going restoration of the chapel, the restoration team, headed by Liliane Rejante Manahan, unearths other profound meanings apart from the original research of Prof. Eric Torres in 1967, that debunks the popular monicker given the mural.